The Realists Do Not Take The Photograph

Each Photograph Is Read As The Private Appearance Of Its Referent: The Age Of Photography Corresponds Precisely To The Explosion Of The Private Into The Public, Or Rather Into The Creation Of A New Social Value, Which Is The Publicity Of The Private: The Private Is Consumes As Such, Publicly.

I Love You Is Unsubtle. It Removes Explanations, Facilities, Degrees, Scruples.

Ultimately — Or At The Limit — In Order To See A Photograph Well, It Is Best To Look Away Or Close Your Eyes. 'the Necessary Condition For An Image Is Sight,'janouch Told Kafka; And Kafka Smiled And Replied: 'we Photograph Things In Order To Drive Them Out Of Our Minds. My Stories Are A Way Of Shutting My Eyes.

Literature Is Like Phosphorus: It Shines With Its Maximum Brilliance And The Moment When It Attempts To Die.

The Realists Do Not Take The Photograph For A 'copy' Of Reality, But For An Emanation Of Past Reality, A Magic, Not An Art.