In Rehearsals I Get So Completely Wrapped

What Happens In A Play Is Determined To A Certain Extent By What I Thought Might Be Interesting To Have Happen Before I Invented The Characters, Before They Started Taking Over What Happened, Because They Are Three-dimensional Individuals, And I Cannot Tell Them What To Do. Once I Give Them Their Identity And Their Nature, They Start Writing The Play.

The Final Evaluation Of A Play Has Nothing To Do With Immediate Audience Or Critical Response.

I Have Learned That Neither Kindness Or Cruelty By Themselves, Or Independent Of Each Other, Create Any Effect Beyond Themselves.

Some Writers' View Of Things Depends Upon The Success Of The Final Result. I'd Rather Stand Or Fall On My Own Concepts. But There Is A Fine Line To Be Drawn Between Pointing Up Something Or Distorting It.

In Rehearsals I Get So Completely Wrapped Up With The Reality That's Occurring On Stage That By The Time The Play Has Opened I'm Not Usually Quite As Aware Of The Distinctions Between What I'd Intended And The Result. There Are Many Ways Of Getting The Same Result.