I Think If You Look At The

Don’t Get Depressed About Not Being Where You Want To Be. This Nagging Feeling Of Anxiety Is Actually Called Ambition. Ambition Is Your Friend.

I Think If You Look At The Themes That Are Presented In The Film, Some Are Inherently Social, And I Think That Any Film Which Deals With The Family Is Dealing With The Smallest Social Unit In Our Society - And In A Sense It Is A Question Of Scope.

When You're Working With A Smaller Budget I Suppose One Of The Things That Has To Be In Your Mind When You Are Writing Is That You Have To Keep The Characters Down To A Minimum.

I Wanted To Make Sure That The Environment Of The Shooting Itself Was Not That Controlled, And The Way To Go About That Course Was To Work With As Small A Crew As Possible.

I Think In The '80s, When I Started Making Films, We Were All Suspicious Of These Technologies. We Were All Convinced They Would Filter Out Any Emotion And Sense Of Intimacy, And The Films I Made During That Period Reflected That. In Fact, What Has Happened Is The Opposite. I Think We're Saturated With A Degree Of Intimacy We Would Never Have Expected, And We're Trying To Sort Through This Idea Of Complete Access To Each Other's Lives On An Ongoing Basis. Our Emotions Aren't Filtered Out At All. They're Actually Accelerated.