I Started Teaching In '76 And I'd

My First Priority When Taking Pictures Is To Achieve Clarity. A Good Documentary Photograph Transmits The Information Of The Situation With The Utmost Fidelity; Achieving It Means Understanding The Nuances Of Lighting And Composition, And Also Remembering To Keep The Lenses Clean And The Cameras Steady.

This Might Seem Off The Track, But An Interesting Thing To Me That Others Could Talk About Better Than I, But One Of The Growth Areas In Photographic Education Has Been The So-called Slow Photography.

'woman On The Plaza,' With Its Distinct Horizon, Snow-like Surfaces, Wintry Wall, Stunning Sunlight, Sharp Shadows, And Hurrying Figure, Would Become The Most Biographical Of My Photographs - An Abstract Image Of The Landscape And Life Of Northern Ohio Where I Grew Up And First Practiced Photography.

Life Rarely Presents Fully Finished Photographs. An Image Evolves, Often From A Single Strand Of Visual Interest - A Distant Horizon, A Moment Of Light, A Held Expression.

First Of All, I Appropriate Photographs.in Presenting The Richard Prince Photograph I Tried To Be As Neutral As I Could Be. I Put Down The Fact Of It. I Wanted It To Be The Same Thing He Wanted It To Be, An Open Ended Invitation To Think About Authorship, And Who Owns A Created Work. So I Pair It With My Appropriated Picture.