'woman On The Plaza,' With Its Distinct

I Did It Once, And National Geographic Recruited Me. I Did It Primarily Out Of Curiosity. A Lot Of Legendary Photographers Had Worked On That Campaign. Ernst Haas Had Done The Early Photography, And I Knew Him. There's A Lore In Photography About That Campaign, And I Was Curious.

My First Priority When Taking Pictures Is To Achieve Clarity. A Good Documentary Photograph Transmits The Information Of The Situation With The Utmost Fidelity; Achieving It Means Understanding The Nuances Of Lighting And Composition, And Also Remembering To Keep The Lenses Clean And The Cameras Steady.

I Now Want To Be A Photographer Of My Time, And Our Common Culture.

I Think That It's Workshops, Honestly, That Have Kept Me Keen About Photography, And About My Photography. My Career As A Workshop Photographer Came While I Was At The Geographic In The Late 70's, And Has Continued Consistently Since Then.

In My First Class At The University Of Kentucky, My American Literature Professor Came In, And The First Sentence Out Of His Mouth Was "the Central Theme Of American Literature Is An Attempt To Reconcile What We've Done To The New World." Wrote That Down In My Notebook, And Thought, "what Is He Talking About?" But That's What I Think About Now. The New World And What We've Done To It.