Dad, Girls Don't Fall Down Every Time

I Think If Anybody Had A Roll Of Dice With A Lot Of Money At Stake, They Would Not Want Wes Craven And A Romantic Comedy.

Dad, Girls Don't Fall Down Every Time They Run.

A Collection Of Masks, Depicting Historical Figures In Life And What I Like To Call The Eternal Repose.

I Think The Important Thing About Staying Creative And Staying Sharp And Original Is Not To Look Back Too Much, And To Kind Of Look To Where Your Vision Is Going Now. But I Have Felt Over The Years A Definite Progression Or Arc From Feeling Guilty About What I Had Done With The First One, Because Certainly There Was All That Fundamentalist Guilt That Came Pouring Back In. Feeling Like I'd Done Something Horrible, "i'm A Despicable Person And I'm Perverse," And All These Things, To A Sense Of The Power And The Necessity, In A Sense, Of Horror Films And Dealing With Dark Material.

I Realized That I Really, Almost By Accident, Had Fallen Into A Labyrinthine, Very Powerful Paradigm For Dealing With These Things Through Genre Films. And Once I Realized That And Realized The Power Of It, And The Fact That Because Horror Films Aren't, In General, Studio Products - Studios Back Them Sometimes, But They Don't Try To Meddle Too Much, Because They Kind Of Don't Want To Sully Their Skirts - You Have A Lot Of Freedom.