When A Play Enters My Consciousness, Is

I Think It's For The Critics To Decide Whether Or Not Their Loathing Of The Play Is Based On Something Other Than The Play's Merits Or Demerits. They Must Search Their Own Souls, Or Whatever.

There's Always The Danger That There Are So Damn Many Things That A Playwright Can Examine In This Society Of Ours - Things That Have Less To Do With His Artistic Work Than Have To Do With The Critical And Aesthetic Environment - That Perhaps He Does Have To Worry About Whether Or Not He Is Writing Too Fast. But Then Also, Perhaps He Should Worry About Getting As Many Plays On As Possible Before The Inevitable Ax Falls.

I Do Think, Or Rather I Sense That There Is A Relationship - At Least In My Own Work - Between A Dramatic Structure, The Form And Sound And Shape Of A Play, And The Equivalent Structure In Music. Both Deal With Sound, Of Course, And Also With Idea, Theme.

The Government Is Far More Interested In Taking, In Regulated Taking, Than In Promoting Spontaneous Generosity.

If You Intellectualize And Examine The Creative Process Too Carefully It Can Evaporate And Vanish. It's Not Only Terribly Difficult To Talk About, It's Also Dangerous.