Well,i Have A Theory That Men Don't

I Went To The Bedroom And Lay On The Floor, So As Not To Mess Up The Covers.

I Think There's Something Spiritual In A Very Day-to-day, Mundane Existence. It's Impossible To Articulate, And It's Happening Now, Almost Like A Perverse Secret. . . . That's Always Sort Of Fascinating To Me.

The Thing I Am Most Interested In Is Power Relations - It Is So Easy In A Relationship Like That [of An Artist And A Gallery Manager], To Imagine That The Other Person Is Living A Perfect Life.

So The Recordings Were These Immersive Landscapes, And Yet, Unlike The Performances That Almost No One Would See, I Had A Sense That These Could Live Forever. I Was Just Starting To Get My Head Around The Democratic Aspect Of Art; I Didn't Want To Make Rarefied Things That Were Either Alienatingly Obscure Or Elite And Art-worldy, So A Recording That Anyone Could Buy Was A Great Medium.

People Ask, 'why Would You Cast Yourself In Your Movie?' And, For Me, It's More Like An Achievement That I Am Now Not Playing All The Parts, You Know? Like I Was For So Long, In All My Performances And A Lot Of My Short Movies. So, That's Where I'm Coming From, Not Out Of A Kind Of Actress-y Sense Of Myself. I Mean, I Don't Really See Myself As An Actress, But More From Performance: This Is How You Make Something. You Do It Yourself. You're In It And You Write It. I Think I Keep Doing It That Way, 'cause It's My Way. It's What Makes Me Feel Like I Know How To Do It.