Vidal Gives The Impression Of Believing That

The Literary Interview Won't Tell You What A Writer Is Like. Far More Compellingly To Some, It Will Tell You What A Writer Is Like To Interview.

You Can Kill Time In A Number Of Ways But It Always Depends On The Kind Of Time You're Fighting: Some Time Is Unkillable, Immortal

Language Leads A Double Life - And So Does The Novelist. You Chat With Family And Friends, You Attend To Your Correspondence, You Consult Menus And Shopping Lists, You Observe Road Signs, And So On. Then You Enter Your Study, Where Language Exists In Quite Another Form - As The Stuff Of Patterned Artifice.

No Novel Has Ever Changed Anything, As Far As I Can See. And The Great Satirists, Like Swift And Dickens, Tend To Write About Abuses And Injustices That Have Already Been Partially Corrected - You Write About It After It's Over.

I Say, 'if I Had A Serious Brain Injury I Might Well Write A Children's Book', But Otherwise The Idea Of Being Conscious Of Who You're Directing The Story To Is Anathema To Me, Because, In My View, Fiction Is Freedom And Any Restraints On That Are Intolerable.