To Create The Reality Of Space With

There Are Three Huge, Titanic, Space Movies Which If You Ever Make A Film [about Space] You Cannot Avoid. You May Want To Avoid Them But You Cannot. I've Never Known A Genre Like It Where You Are Dictated To By These Films, 2001, Alien, And Tarkovsky's Solaris.

It's A Nice Way To Put The Focus Back On This Simple Act... If Someone Creates You.

Basically, Actors Arrive In A Bubble. They Have A Little Sealed Bubble Around Them And It's Basically [comprised Of] Their Agents, Their Last Film, Their Next Film, Their Press Agent, And Their Per Diems - All These Things, They Cocoon Themselves With And You Have To Puncture That Bubble On Each Of Them To Make Them Be In Your Film.

I'd Love To Do A Modern-day Musical That's Full Of Original Music. To Get Your Contemporaries To Sing And Dance Without Looking Foolish And For It To Be Transformational And Magical And All Those Things A Musical Is Supposed To Be.

Your First Film Is Always Your Best Film, In A Way. There's Something About Your First Film That You Never Ever Get Back To, But You Should Always Try. It's That Slight Sense Of Not Knowing What You're Doing, Because The Technical Skills You Learn - Especially If You Have A Film That Works, That Has Some Kind Of Success - Are Beguiling. The Temptation Is To Use Them Again, And They're Not Necessarily Good Storytelling Techniques.