To Burn Always With This Hard, Gemlike

A Very Intimate Sense Of The Expressiveness Of Outward Things, Which Ponders, Listens, Penetrates, Where The Earlier, Less Developed Consciousness Passed Lightly By, Is An Important Element In The General Temper Of Our Modern Poetry.

To Higher Or Lower Ends, They [the Majority Of Mankind] Move Too Often With Something Of A Sad Countenance, With Hurried And Ignoble Gait, Becoming, Unconsciously, Something Like Thorns, In Their Anxiety To Bear Grapes; It Being Possible For People, In The Pursuit Of Even Great Ends, To Become Themselves Thin And Impoverished In Spirit And Temper, Thus Diminishing The Sum Of Perfection In The World, At Its Very Sources.

Not The Fruit Of Experience, But Experience Itself, Is The End.

The Base Of All Artistic Genius Is The Power Of Conceiving Humanity In A New, Striking, Rejoicing Way, Of Putting A Happy World Ofits Own Creation In Place Of The Meaner World Of Common Days, Of Generating Around Itself An Atmosphere With A Novel Power Of Refraction, Selecting, Transforming, Recombining The Images It Transmits, According To The Choice Of The Imaginative Intellect. In Exercising This Power, Painting And Poetry Have A Choice Of Subject Almost Unlimited.

Has Nature Connected Itself Together By No Bond, Allowed Itself To Be Thus Crippled, And Split Into The Divine And Human Elements? Well! There Are Certain Divine Powers Of A Middle Nature, Through Whom Our Aspirations Are Conveyed To The Gods, And Theirs To Us. A Celestial Ladder, A Ladder From Heaven To Earth.