This Kind Of Directing, I Think, Is

With The Red, I Didn't Have This Impression At All. I Felt That It Was As Heavy As A Film Camera. Having This Great Crew, With The Dp And His Assistants, I Found It Making As Much Of An Impression As A Very Big Film Camera. I Didn't Relate To It As Much. I Remember Avoiding It During The Shooting Rather Than Paying Attention To It.

In My Films, I Try To Give People As Little Information As Possible, Which Is Still Much More Than What They Get In Real Life. I Feel That They Should Be Grateful For The Little Bit Of Information I Give Them.

While Shooting Ten I Was Sitting In The Backseat, But I Didn't Interfere. Sometimes, I Was Following In Another Car, So I Was Not Even Present On The "set", Because I Thought They Would Work Better In My Absence.

I Think, Just As Footballers Play Better At Home, Maybe Film-makers, Too, Create Better At Home, Even Though The Rules Of Football Are The Same Wherever You Go.

I Do Believe That A Film Like Ten Could Never Have Been Made With A 35mm Camera. The First Part Of The Film Lasts 17 Minutes, And By The End Of That Part, The Kid Has Totally Forgotten The Camera.