There Are Always Going To Be More

I Find That When My Plays Are Going Well, They Seem To Resemble Pieces Of Music. But If I Had To Go Into Specifics About It, I Wouldn't Be Able To. It's Merely Something That I Feel.

Audiences And, To A Large Extent, Critics Who Want Less From Theater Than It Is Possible For It To Give. If Everybody's Encouraged To Want Less, You'll End Up With Less.

If I've Been Accused A Number Of Times Of Writing Plays Where The Endings Are Ambivalent, Indeed, That's The Way I Find Life.

As A Fairly Objective Judgment, I Do Think That My Plays As They Come Out Are Better Than Most Other Things That Are Put On The Same Year. But That Doesn't Make Them Very Good Necessarily.

About Four Years Ago I Made A List, For My Own Amusement, Of The Playwrights, The Contemporary Playwrights, By Whom Critics Said I'd Been Influenced. I Listed Twenty-five. It Included Five Playwrights Whose Work I Didn't Know, So I Read These Five Playwrights And Indeed Now I Suppose I Can Say I Have Been Influenced By Them. The Problem Is That The People Who Write These Articles Find The Inevitable Similarities Of People Writing In The Same Generation, In The Same Century, And On The Same Planet, And They Put Them Together In A Group.