There Are A Number Of Contemporary Playwrights

In The Two Or Three Or Four Months That It Takes Me To Write A Play, I Find That The Reality Of The Play Is A Great Deal More Alive For Me Than What Passes For Reality. I'm Infinitely More Involved In The Reality Of The Characters And Their Situation Than I Am In Everyday Life. The Involvement Is Terribly Intense.

You May Dislike The Intention Enormously But Your Judgment Of The Artistic Merit Of The Work Must Not Be Based On Your View Of What It's About. The Work Of Art Must Be Judged By How Well It Succeeds In Its Intention.

I Am A Doctor. A.b... M.a... Ph.d... Abmaphid! Abmaphid Has Been Variously Described As A Wasting Disease Of The Frontal Lobes, And As A Wonder Drug. It Is Actually Both.

Martha: Truth Or Illusion, George; You Don't Know The Difference. George: No, But We Must Carry On As Though We Did. Martha: Amen.

When You Write A Play, You Make A Set Of Assumptions -- That You Have Something To Say, That You Know How To Say It, That Its Worth Saying, And That Maybe Someone Will Come Along For The Ride.