Theory Has Nothing To Do With A

I Go To The Studio Every Day, But I Dont Paint Every Day. I Love Playing With My Architectural Models. I Love Making Plans. I Could Spend My Life Arranging Things.

All Photographs Are Far More Important Than Any Painting.

If, While I'm Painting, I Distort Or Destroy A Motif, It Is Not A Planned Or Conscious Act, But Rather It Has A Different Justification: I See The Motif, The Way I Painted It, Is Somehow Ugly Or Unbearable. Then I Try To Follow My Feelings And Make It Attractive. And That Means A Process Of Painting, Changing Or Destroying - For However Long It Takes - Until I Think It Has Improved. And I Don't Demand An Explanation From Myself As To Why This Is So.

To Talk About Paintings Is Not Only Difficult But Perhaps Pointless Too. You Can Only Express In Words What Words Are Capable Of Expressing-- What Language Can Communicate. Painting Has Nothing To Do With That.

The Desire To Please Is Maligned, Unfairly. There Are Many Sides To It. First Of All, Pictures Have To Arouse Interest Before People Will Even Look At Them, And Then They Have To Show Something That Holds That Interst - And Naturally They Have To Be Presentable, Just As A Song Has To Be Sung Well, Otherwise People Run Away. One Mustn't Underrate This Quality, And I Have Always Been Delighted When My Pieces Have Also Appealed To The Museum Guards, The Laymen.