The Wonderful Thing About 48 Fps Is

I Was Thinking About That. I Was Thinking, This Is Like Our Boyhood; This Is Like Our Getting Together Over 12 Years To Make - This Our Apehood! I Mean, This Is It! For Me, The Relationships, All Of Those Things, Over Such A Long Period Of Time Now With Actors, But Also Seeing The Characters Grow, Develop, And Change, And Go Through Different Situations.

My Belief About Performance Capture Is That It's A Technology Which Allows Actors To Play Extraordinary Characters. But From An Acting Perspective, I've Never Drawn A Distinction Between Playing A Conventional, Live Action Character And Playing A Role In A Performance Capture Suit. And From A Purely Acting Point-of-view, I Don't Believe There Should Be A Special Oscar Category Because I Think It Sort Of Muddies The Waters In A Way.

My First Job When I Got My Equity Card Was Acting In 14 Plays Back-to-back. Playing That Many Roles, You Look For Ways Of Differentiating The Characters Physically, Which Goes Hand In Hand With Understanding Them Psychologically.

The Difference Between The Big Budget Films I've Done Is The Length Of Time. But In Terms Of The Day-to-day, You're Still Going On To Set, You're Getting Into Character, And You're Going And Doing Your Job, So There's Absolutely No Difference. It's Just The Structure Around It And The Length Of Time. But In Terms Of Budget And Money, It Doesn't Really Manifest Itself.

It's A Weird Thing With Acting And It Happens To A Lot Of Actors, Not Just Myself - It's Like You're Giving Off An I Really Need To Be Loved Today Vibe. My Worst Moment Recently Is I Fell Asleep On The Tube In London On The Victoria Line 8:30 In The Morning And I Woke Up And There Were About Five People With Iphones Taking Pictures.