The Wise Man Knows When To Keep

He Couldn’t See Why People Made Such A Fuss About People Eating Their Silly Old Fruit Anyway, But Life Would Be A Lot Less Fun If They Didn’t. And There Was Never An Apple, In Adam’s Opinion, That Wasn’t Worth The Trouble You Got Into For Eating It.

I Think I've Got Fear Down, But How Do I Take It All The Way Up To Terror?

Classic Authors Should Be Older Than I Am, And Wiser, And On-top Of All Their Deadlines.

The Best Thing About Writing Fiction Is That Moment Where The Story Catches Fire And Comes To Life On The Page, And Suddenly It All Makes Sense And You Know What It's About And Why You're Doing It And What These People Are Saying And Doing, And You Get To Feel Like Both The Creator And The Audience. Everything Is Suddenly Both Obvious And Surprising ("but Of Course That's Why He Was Doing That, And That Means That...") And It's Magic And Wonderful And Strange.

Everything Has To Be Intrinsic Plot-wise In The Same Way, To Use The Linda Williams Analogy But To Move It On A Bit, As Musicals - In Old Musicals, Like In An Old Cole Porter Musical, You Get The Action, Then They Do A Song, Which Reflects A Moment - Everything Stops While That Is Being Sung - And Then You Restart. These Days In Most Musicals, The Plot Keeps Moving Through The Song. I Think It Would Be Nice If Someone Constructed Some Pornography Where The Sex Continues To Propel You Through The Story.