The Straight Line Is Regarded As The

Newness Only Becomes Mere Evil In Its Totalitarian Format, Where All The Tension Between Individual And Society, That Once Gave Rise To The Category Of The New, Is Dissipated. Today The Appeal To Newness, Of No Matter What Kind, Provided Only That It Is Archaic Enough, Has Become Universal, The Omnipresent Medium Of False Mimesis. The Decomposition Of The Subject Is Consummated In His Self-abandonment To An Ever-changing Sameness.

Art Respects The Masses, By Standing Up To Them For What They Could Be, Rather Than Conforming To Them In Their Degraded State.

No Harm Comes To Man From Outside Alone: Dumbness Is The Objective Spirit.

They [the Critics] Deal With Schoenberg's Early Works And All Their Wealth By Classifying Them, With The Music-historical Cliché, As Late Romantic Post-wagnerian. One Might Just As Well Dispose Of Beethoven As A Late-classicist Post-haydnerian.

Rigour And Purity In Assembling Words, However Simple The Result, Create A Vacuum.