The Sound Of Laughter Is Like The

Man Reckons With Immortality, And Forgets To Reckon With Death.

All Novels . . . Are Concerned With The Enigma Of The Self. As Soon As You Create An Imaginary Being, A Character, You Are Automatically Confronted By The Question: What Is The Self? How Can It Be Grasped?

...in Our Time Art Is Encrusted With A Noisy, Opaque, Logorrhea Of Theory That Prevents A Work From Coming Into Direct, Media Free, Non-interpreted Contact With Its Viewer (its Reader, Its Listener)

The Novelist Teaches The Reader To Comprehend The World As A Question. There Is Wisdom And Tolerance In That Attitude. In A World Built On Sacrosanct Certainties The Novel Is Dead.

If Our Planet Has Seen Some Eighty Billion People It Is Difficult To Suppose Hat Every Individual Has Had His Or Her Own Repertory Of Gestures. Arithmetically, It Is Simply Impossible. Without The Slightest Doubt, There Are Far Fewer Gestures In The World Than There Are Individuals. That Finding Leads Us To A Shocking Conclusion: A Gesture Is More Individual Than An Individual. We Could Put It In The Form Of An Aphorism: Many People, Few Gestures.