The More Unique Your Film Is And

When We Talk About Violence, We're Talking About The Destruction Of The Human Body, And I Don't Lose Sight Of That. In General, My Filmmaking Is Fairly Body-oriented, Because What You're Photographing Is People, Bodies.

Do You Remember When You Found Out You Wouldn't Live Forever? People Don't Talk About This, But Everybody Had To Go Through It Because You're Not Born With That Knowledge.

Even Hitchcock Liked To Think Of Himself As A Puppeteer Who Was Manipulating The Strings Of His Audience And Making Them Jump. He Liked To Think He Had That Kind Of Control.

Let's Put It This Way, When I Was Casting, I Cast Viggo First And Then Found Someone Who Could Play His Wife, Rather Than The Other Way Around. So For Me He's Still The Lead Character.

For Me, It's Just A Normal Artistic Endeavour To Explore The Dark Side. Certainly, I'm Not Alone In It. Artists Generally Don't Like To Accept The Version Of Reality That Society And Culture Hand Them. They Want To Know What's Really Going On. So You're Always Looking In The Ceilings, Under The Floorboards And Behind The Walls, Trying To Find The Mechanisms, The Structures, And The Truth. I Find That Often Leads You Into Some Dark Places.