The Land Of Embarrassment And Breakfast.

But That’s One Advantage Of Fiction, You Can Speed Up Time.

You Can't Have A Novel Without Real, Believable People, And Once You Get Into Either Too Theoretical A Novel Or Too Philosophical A Novel, You Get Into The Dangers That The French Novel Has Discovered In The Past 50 Or 60 Years. And You Get Into A Sort Of Aridity. No, You Have To Have Real, Identifiable People To Whom The Reader Reacts In A Way As If They Were Real People.

Is Any Novelist Going To Recognize The Moment When He Or She Has Nothing More To Say? It Is A Brave Thing To Admit. And Since As A Professional Writer You Are Full Of Anxiety Anyway, You Could Easily Misread The Signs.

When We Fall In Love, We Hope - Both Egotistically And Altruistically - That We Shall Be Finally, Truly Seen: Judged And Approved. Of Course, Love Does Not Always Bring Approval: Being Seen May Just As Well Lead To A Thumbs-down And A Season In Hell.

It's Easy, After All, Not To Be A Writer. Most People Aren't Writers, And Very Little Harm Comes To Them.