The Ideal Is To Put On Shows

Whenever I See Something That Looks Like It Could Be Good - Whether It's On Vinyl, Cd Or Cassette - If It's Not Too Expensive, I'll Take A Chance.

People Are Looking For Fame Or A Focus, And I Can't Provide That.

Then Little Writings And Recordings That Thankfully Continue To Come Up. I'm In This Kind Of Wonderful, Kind Of Awkward, Off-putting, And Strange Position Where There's Nothing I Want To Do More Than Continue To Make Music, But The Ways That I Do Things Are Not In Tune With How I Can Do Them Commercially.

A Record Is Something That Isn't Real Or True. It's Like Cinema. It's A Construction Of Something Hyper-real And Surreal And Unreal All At The Same Time. You Make A Space That Doesn't Really Exist. One Of The Big Joys Of Being In This Line Of Work Is Building The Recorded Versions Of The Songs.

I Do Not Want A Personal Relationship With My Fans. Or To Do Anything That Encourages Them To Think They Have One With Me. They Can Have A Personal Relationship With My Songs. That's Fine, But They Don't Know Me.