The Greatest Realities Are Physical And Economic,

I Feel A Terrible Loss When I (eventually Must) Complete A Work Of Fiction.

I Don't Feel I Write Fast. I Write In Longhand And Do So Much Revision. On The Page, It's So Old-fashioned. I Could Write A Whole Novel On Scrap Paper, Scribbles And Things. I Keep Looking At It And Something Develops. For Me, Using A Word Processor Would Mean Staring At A Screen For Too Many Hours.

Though I Revise Constantly As I Write, I Will Usually Revise Much Of The Work Again After I've Reached The Ending.

'a Fair Maiden' Existed In Notes And Sketches For Perhaps A Year. When I Traveled, I Would Take Along With Me My Folder Of Notes - 'ideas For Stories.' Eventually, I Began To Write It And Wrote It Fairly Swiftly - In Perhaps Two Months Of Fairly Intense Writing And Rewriting. Most Of My Time Writing Is Really Re-writing.

Prose-it Might Be Speculated-is Discourse; Poetry Ellipsis. Prose Is Spoken Aloud; Poetry Overheard. The One Is Presumably Articulate And Social, A Shared Language, The Voice Of "communication"; The Other Is Private, Allusive, Teasing, Sly, Idiosyncratic As The Spider's Delicate Web, A Kind Of Witchcraft Unfathomable To Ordinary Minds.