The City Is An Addictive Machine From

Prada Is Extremely Directed In Terms Of Communicating What They Like And What They Don't Like. That Is Actually Extremely Pleasant Because It Clarifies Very Easily What You Can Do And What You Need To Do.

Everyone Is Talking About Sustainability And Resilience, Yet All That Knowledge Is Thrown In The Bin. [lagos Is] A Unique Case, But Also A Test Case. It's Unbelievably Unique, But Also It's Now Considered With A Number Of Really Generic Opinions, Generic Solution, Generic Expectations.

At That Time [90th In Lagos], If You Drove Through The City, You Drove Through A Foreground That Always Seemed To Be Incredibly Dramatic And Incredibly Agonised - Smoking, Burning, Incredible Compression. In The First Year We Stayed On The Ground And Went Everywhere. But Then In Order To Discover Whether This Was The Whole Story, We Rented A Helicopter. And We Began To Understand That This Is Not Chaos But A Highly Modern System That Had Been Abandoned, Then At Some Point Went Into Reversal, Then Slowly Came Out Of It.

Any Architectural Project We Do Takes At Least Four Or Five Years, So Increasingly There Is A Discrepancy Between The Acceleration Of Culture And The Continuing Slowness Of Architecture.

The Good Is Not A Category That Interests Me.