The Author Enters Into His Own Death,

The Incapacity To Name Is A Good Symptom Of Disturbance.

It Is As If The Photograph Always Carries Its Referent With Itself, Both Affected By The Same Amorous Or Funereal Immobility, At The Very Heart Of The Moving World: They Are Glued Together, Limb By Limb, Like The Condemned Man And The Corpse In Certain Tortures; Or Even Like Those Pairs Of Fish (sharks, I Think, According To Michelet) Which Navigate In Convoy, As Though United By An Eternal Coitus.

All Of A Sudden It Didn't Bother Me Not Being Modern.

Each Of Us Has His Own Rhythm Of Suffering.

The Discourse On The Text Should Itself Be Nothing Other Than Text, Research, Textual Activity, Since The Text Is That Social Space Which Leaves No Language Safe, Outside, Nor Any Subject Of The Enunciation In Position As Judge, Master, Analyst, Confessor, Decoder. The Theory Of The Text Can Coincide Only With A Practice Of Writing.