The Artist Is The Hand That, By

The Impact Of The Acute Angle Of A Triangle On A Circle Produces An Effect No Less Powerful Than The Finger Of God Touching The Finger Of Adam In Michelangelo.

The Sensations Of Colors On The Palette Can Be Spiritual Experiences.

All Methods Are Sacred If They Are Internally Necessary. All Methods Are Sins If They Are Not Justified By Internal Necessity.

The Artist Must Be Blind To Distinction Between 'recognized' Or 'unrecognized' Conventions Of Form, Deaf To The Transitory Teaching And Demands Of His Particular Age.

The Composition Is The Organized Sum Of The Interior Functions Of Every Part Of The Work.