That's How I Like To Do It

I Always Think About Visual Comedy. I Was Raised Watching Silents, And I'm Always Thinking About How To Make Cinema, Not Good Talking - Although I Want Good Talking. I'm Much More Interested In Framing, Composition, And Orchestration Of Bodies In Space, And So Forth. My Goal Is Always What Chuck Jones Wanted His Warner Brothers Cartoons To Be, Which Was If You Turn Down The Sound, You Could Still Tell What's Going On.

Even If We Die At 100, We're Still Dying Young. I Want At Least 700 Years. There's A Lot Of Travelling And Books To Read And Movies To See. I'm Not Going To Squeeze It All In In 85 Years.

I Could Never Be A Part Of An Adaptation Of A Film Where There's Pressure To Not Disappoint The Immense Fan Base. In Those Cases, They Often Wind Up With Filmed Books On Tape, Quite Uncinematic. Having Said That, I'd Say All The Adaptations I've Done Are Quite Faithful To The Original... You Have To Pick And Choose Which Storylines And Plot Threads, Because You Don't Have The Time To Kill In The Film As They Have In Novels. All Those Pages With Detours And Plots And Different Storylines. But Films Add A Lot, And You Gotta Keep It Moving.

When You're A Houseguest And You Leave, It's Nice To Straighten Something Up Or Send Your Hosts A Useful Gift. And When You Leave The Planet, It's Nice To Have Made A Positive Contribution.

I Like Actors Who, When You See Them On Screen, You Sense A Person, Not Just An Actor.