Sometimes, You Have To Get Angry To

Making This Movie As A Period Piece About A Period That Was Very Recent In People's Minds. I Was In Taiwan [during The 1970s], So I Hope I Did All Right. Otherwise, It Could Be The Biggest Embarrassment Of My Life. Also, The Story Is Not Linear, It's Patchy, Like A Cubist Painting, And There Is Always The Possibility It Will Not Hold Together, It Will Fall Apart. The Tone Is Part Satire, Part Serious Drama, Part Tragedy, All Mixed Together, And It Has To Hit An Emotional Core. That's Also Very Scary.

There's A Certain Time In The Core Of Making A Movie From Pre-production To Halfway Through Post-production I Don't Read Any Project, My Agent Will Tell People That "he's Not Reading." And Then When I Know How The Movie's Probably Gonna Work Halfway Into Post-production, I'll Come Along.

I Grew Up Pretty Much Prevented From Knowing Anything From Communist China Except That They Were The Bad Guys That Stole Our Country.

To Me, Ennis Stands For The Conservative Side Of America. He's The Biggest Homophobe In The Whole Movie - Culturally And Psychologically - But By The Time He Admits His Feelings, It's Too Late.

Only One Time In My Career I Had That Feeling [that This Is Not Gonna Get Made], It Was For This Movie [life Of Pi]. It Was Right Before We Started The Physical Pre-production. I Pre-visualized The Whole Ocean Part Before We Made The Movie, I Was That Prepared. At One Point They Seemed To Want To Drop It Because It Was Really Risky. The Budget We Proposed Was A Lot Higher Than They Expected, They Wanted To [drop It]. After All, It's A Philosophical Book And A Literature Property, It's Not Batman.