Politics Have Always Covered Two Distinct Kinds

I Would Then Say That There Are Two Kinds Of Feeling. The First Is To Feel In The Sense Of Concentrating Your Emotions On Something Immediately Available For Your Understanding: You Make Your Understanding Out Of The Emotions You Have About It. The Second Is To Feel In The Sense Of Being Affected Without Trying To Understand: Something Is Felt, You Do Not Know What, And It Is More Important To Feel It Than To Try To Understand It, Since Once You Try To Understand It You No Longer Feel It.

Much Of The Magical Effect That Poetry Gives Of Rendering Everything It Touches Pellucid Comes From The Necessity Of Compression That It Imposes. The Impossibility Of Pausing In Poetry As Long As May Be Needed To Make Sense Clear Causes Many A Set Of Words Actually Deficient In Linguistic Workmanship To Pass For An Eloquent Brevity.

... Whatever Is Not Happening Now Is Unimportant; It Is Merely Curious.

The End Of Poetry Is Not To Create A Physical Condition Which Shall Give Pleasure To The Mind... The End Of Poetry Is Not An After-effect, Not A Pleasurable Memory Of Itself, But An Immediate, Constant And Even Unpleasant Insistence Upon Itself.

The New "ambiguity" Means, In A Way Adjudged Favorable To Literary, Poetic, Intellectually And Psychologically Well-devised And Praiseworthily Executed Linguistic Performance, Uncertainty Of Meaning, Or Difficulty For The Interpreter In Identifying Just What The Meaning In Question Is: It Means The Old Meanings Of Ambiguity With A Difference. It Means Uncertainty Of Meaning (of A Word Or Combination Of Words) Purposefully Incorporated In A Literary Composition For The Attainment Of The Utmost Possible Variety Of Meaning-play Compressible Within The Verbal Limits Of The Composition.