Part Of It Is Eight Years Of

For Kind Of Sophisticated Art I'm Interested In, The Larger Structural Rebuke Has To Be So Subtle That It Has To Be Distributed At An Almost Sub-atomic Level. Otherwise, You Fall Into The Kind Of Preachy, Moralistic Fable That I Don't Think Makes For Good Literature.

Students Teach All Sorts Of Things But Most Importantly They Make Explicit The Courage That It Takes To Be A Learner, The Courage It Takes To Open Yourself To The Transformative Power Of Real Learning And That Courage I Am Exposed To Almost Every Day At Mit And That I'm Deeply Grateful For.

Artists Are Not Cheerleaders, And We're Not The Heads Of Tourism Boards. We Expose And Discuss What Is Problematic, What Is Contradictory, What Is Hurtful And What Is Silenced In The Culture We're In.

I Was Part Of That Group Of Kids Growing Up In The '80s Under The Reagan Regime, What I Used To Call 'living In The Shadow Of Dr. Manhattan,' Where We Would Have Dreams All The Time That New York City Was Being Destroyed, And That That Wall Of Light And Destruction Was Rolling Out And Would Just Devour Our Neighborhood.

The Thing Is - Do We Really Need Another Writer Who Writes A Book Every Eighteen Months, Whether The Quality Is Wonderful Or Not? I Mean, Maybe. But I Can Name Twenty Off The Top Of My Head Who Do It. Maybe What We Need Is A Writer Like Me Who Goes Very Slow, As Well.