Over Time I Began To Realize That

Sometimes People Are Surprised To Learn That Most Of The Films I've Made Don't Work. They've Been Released But Nobody Has Ever Seen Them. Maybe 40 Percent Of Them Are Very Successful. That's A Very High Percentage; Most People Have Maybe 10 Or 15 Percent Of Their Films Work.

[star Wars Is] Designed Primarily To Make Young People Think About The Mystery. Not To Say, 'here's The Answer.' It's To Say, 'think About This For A Second. Is There A God? What Does God Look Like? What Does God Sound Like? What Does God Feel Like? How Do We Relate To God?'

You Try To Get Yourself Into A Situation Where You Only Have To Answer To Yourself, Where You Can Ask Advice Of People And Work With Your Peers And Mentors And Things To Try To Do The Best Job That You Can Possibly Do.

None Of The Films I've Done Was Designed For A Mass Audience, Except For 'indiana Jones.' Nobody In Their Right Mind Thought 'american Graffiti' Or 'star Wars' Would Work.

It Wasn't Long After I Began Writing Star Wars That I Realized The Story Was More Than A Single Film Could Hold. As The Saga Of The Skywalkers And Jedi Knights Unfolded, I Began To See It As A Tale That Could Take At Least Nine Films To Tell - Three Trilogies - And I Realized, In Making My Way Through The Back Story And After Story, That I Was Really Setting Out To Make The Middle Story.