One Difference Between Film Noir And More

The Genius Is Not In How Much Stanley Kubrick Does In “2001: A Space Odyssey,'' But In How Little. This Is The Work Of An Artist So Sublimely Confident That He Doesn't Include A Single Shot Simply To Keep Our Attention. He Reduces Each Scene To Its Essence, And Leaves It On Screen Long Enough For Us To Contemplate It, To Inhabit It In Our Imaginations. Alone Among Science-fiction Movies, “2001'' Is Not Concerned With Thrilling Us, But With Inspiring Our Awe.

It's Rare To Find A Film That Goes For Broke And Says, 'to Hell With The Consequences.'

Vincent Gallo Has Put A Curse On My Colon And A Hex On My Prostate. He Called Me A 'fat Pig' In The New York Post And Told The New York Observer I Have 'the Physique Of A Slave-trader.' He Is Angry At Me Because I Said His 'the Brown Bunny' Was The Worst Movie In The History Of The Cannes Film Festival... It Is True That I Am Fat, But One Day I Will Be Thin, And He Will Still Be The Director Of 'the Brown Bunny.'

What We Have Here Is A Rousing Boy's Adventure Story, Adapted From Stories That Edgar Rice Burroughs Cranked Out For Early Pulp Magazines. They Lacked The Visceral Appeal Of His Tarzan Stories, Which Inspired An Estimated 89 Movies; Amazingly, This Is The First John Carter Movie, But It Is Intended To Foster A Franchise And Will Probably Succeed.

The Academy Is Paranoid About Its Image.