Of Course We All Know That's Not

I Think What Happened To Me Was That I Was Always Being Taught To Look, But One Day I Started To See. And It Was Because A Lot Of Women In My Life Were Refusing Just To Be Looked At, To Be This Passive Figure.

Katrina Was One Of Those Things That Rips The Clothes Off Of The Guy Who Keeps Saying He's A Saint, And Underneath You See That He's A Monster.

A Form Wherein We Can Enjoy Simultaneously What Is Best In Both The Novel And The Short Story Form. My Plan Was To Create A Book That Affords Readers Some Of The Novel's Long-form Pleasures But That Also Contains The Short Story's Ability To Capture What Is So Difficult About Being Human - The Brevity Of Our Moments, Their Cruel Irrevocability.

Cities Produce Love And Yet Feel None. A Strange Thing When You Think About It, But Perhaps Fitting. Cities Need That Love More Than Most Of Us Care To Imagine. Cities, After All, For All Their Massiveness, All Their There-ness, Are Acutely Vulnerable.

I Think A Lot Of The Most Interesting Immigrant Writing Involves Stepping Outside Of That Old, Dreary Binary. Chang-rae Lee's Native Speaker Is A Great Example. Same Goes For Maxine Hong Kingston's The Woman Warrior.