Nothing, That Is Say No One, Can

Characters Should On The Whole, Be Under Rather Than Over Articulate. What They Intend To Say Should Be More Evident, More Striking (because Of Its Greater Inner Importance To The Plot) Than What They Arrive At Saying.

Raids Are Slightly Constipating.

In My Experience One Thing You Don't Learn From Is Anything Anyone Set Up To Be A Lesson; What You Are To Know You Pick Up As You Go Along.

Memory Is To Love What The Saucer Is To The Cup.

Karen, Her Elbows Folded On The Deck-rail, Wanted To Share With Someone The Pleasure In Being Alone: This Is The Paradox Of Any Happy Solitude. She Had Never Landed At Cork, So This Hill And That Hill Beyond Were As Unexpected As Pictures At Which You Say "oh Look!" Nobody Was Beside Her To Share The Moment, Which Would Have Been Imperfect With Anyone Else There.