No Good Movie Is Too Long And

It's Strange: We Leave The Movie Having Enjoyed Its Conclusion So Much That We Almost Forgot Our Earlier Reservations. But They Were There, And They Were Real.

The Buried Code Of Many American Films Has Become: If I Kill You, I Have Won And You Have Lost. The Instinctive Ethical Code Of Traditional Hollywood, The Code By Which Characters Like James Stewart, John Wayne And Henry Fonda Lived, Has Been Lost.

If You Pay Attention To The Movies They Will Tell You What People Desire And Fear. Movies Are Hardly Ever About What They Seem To Be About. Look At A Movie That A Lot Of People Love, And You Will Find Something Profound, No Matter How Silly The Film May Be.

They're Not Trying To Prevent Hollywood From Making Movies. They're Asking That The Most Powerful Image-building Machinery In The World Stop Grinding Out Killer Dykes And Twisted Homo Sex Fiends As If Sexual Orientation Had Anything To Do With Criminal Behavior.

Fellini Was More In Love With Breasts Than Russ Meyer, More Wracked With Guilt Than Ingmar Bergman, More Of A Flamboyant Showman Than Busby Berkeley... Amarcord Seems Almost To Flow From The Camera, As Anecdotes Will Flow From One Who Has Told Them Often And Knows They Work. This Was The Last Of His Films Made For No Better Reason Than Fellini Wanted To Make It.