New York... Is A City Of Geometric

For Death Must Be Somewhere In A Society; If It Is No Longer (or Less Intensely) In Religion, It Must Be Elsewhere; Perhaps In This Image Which Produces Death While Trying To Preserve Life. Contemporary With The Withdrawal Of Rites, Photography May Correspond To The Intrusion, In Our Modern Society, Of An Asymbolic Death, Outside Of Religion, Outside Of Ritual, A Kind Of Abrupt Dive Into Literal Death.

I Have Not A Desire But A Need For Solitude.

Those Who Fail To Reread Are Obliged To Read The Same Story Everywhere.

For The Photograph's Immobility Is Somehow The Result Of A Perverse Confusion Between Two Concepts: The Real And The Live: By Attesting That The Object Has Been Real, The Photograph Surreptitiously Induces Belief That It Is Alive, Because Of That Delusion Which Makes Us Attribute To Reality An Absolute Superior, Somehow Eternal Value; But By Shifting This Reality To The Past ("this-has-been"), The Photograph Suggests That It Is Already Dead.

Historically And Politically, The Petit-bourgeois Is The Key To The Century. The Bourgeois And Proletariat Classes Have Become Abstractions: The Petite-bourgeoisie, In Contrast, Is Everywhere, You Can See It Everywhere, Even In The Areas Of The Bourgeois And The Proletariat, What's Left Of Them.