My Stories Are Very Compact. I Want

In Israel, There Is This Reduction Of The Political Discourse To Something That Is Very Limited. It's As If You Have That Pitch That Only Dogs Can Hear. Sometimes I Feel I Speak At Such A Pitch That Very Few People Around Me Communicate With What I'm Saying.

The One Who Swallows Cactuses With Spines Should Not Complain About Hemorrhoids.

Being Published In Arabic Is A Strong And Consistent Wish I Have. I Live In The Middle East And Want To Be In Some Sort Of An Unpragmatic Dialogue With My Neighbors.

Making Up Characters And Places And Plots, Unlike Fixing Your Plumbing Or Doing Dishes, Is Anything But Practical Or Rational. I Write What Needs To Be Written The Way That Seems Genuinely Right.

People In Israel Would Write In A High Register, They Wouldn't Write Colloquial Speech. I Do A Special Take On Colloquial Speech. When I Started Writing, I Thought [the Language] Was Telling The Story Of This Country: Old People In A Young Nation, Very Religious, Very Conservative, Very Tight-assed, But Also Very Anarchistic, Very Open-minded. It's All In The Language, And That's One Thing That Doesn't Translate.