Michael Jackson Will Always Be My Favorite

When I Shoot Actors, I Have That Dilemma. I Want The Actor To Be Good, And Sometimes I Have To Push Them To A Place That Isn't Pleasant. I Always Think: 'is It Worth Doing For The Sake Of The Movie?' But I Have To Remember The Bigger Picture.

I'm Always Excited To Work With Actors.

I Don't Call Cut Between The Takes - It's My Way To Help The Actor Keep Focused. As Soon As You Say 'cut' You Have 10 People Jumping On Them And Everybody's Trying To Do A Great Job, And They Do, But Sometimes They Forget That The More Important Thing Is The Performance, Creating The Performance.

I Kind Of Like The Idea Of Taking A Concept And Going All The Way With It, Even If It's Not Completely Plausible. It's Something That I Like About Making Movies. You Have A Concept That Maybe Would Not Work In Real Life, But You Can Make It Work In The World You're Creating.

I Like The Days When All The Filmmakers Had Was A Film Roll, A Camera And A Gangster. The Mack Sennett Comedies Were All Like That. They'd Create Little Teams To Go Out And Shoot Films.