It's Like The Old Rule-if You Introduce

Groundhog Day Was Pretty Clean. It May Have To Do With Some Puritanical Feeling That Comedy Is A Forbidden Pleasure In A Certain Way. They Make You Laugh, And Laughter Is Somehow An Inferior Emotion To Tragedy.

I've Always Had That Overweening Desire To Be Liked By The Audience.

I Try To Measure The Amount Of Truth In A Work Rather Than Just Looking At The Generic Distinction Between Comedy And Drama.

It's A Great Luxury For Me To Be Able To Write On The Films That I Direct, And Kind Of A Nice Thing To Be Able To Write Enough To Get Credit, Which Is Difficult For A Director.

I Always Think That The Writer Is Doing The Vast Majority Of The Director's Work, In A Sense. If You're A Writer Who Is Also Going To Direct, You're Doing All Your Preparation: You're Already Visualizing Everything, You're Imagining How The Lines Are Going To Be Read, You See The Blocking In Your Head, And You Know The Rhythm And The Pacing.