In Terms Of Cinema And Filmmaking, There

I Never Use Soundtrack; It Is Always Part Of The Story.

I Like To Write For Actors I Know And With Whom I've Worked Before. You Can Write To Their Strengths And Weaknesses And Write Roles That Are Better Suited To Them.

It Could Be Fascist, Religious Or Political - It's Always The Same Model That Operates In These Circumstances, And It's That Which Is The Actuality Of This Film. Therefore, It's Not Specifically An Explanation Of German Fascism Because That Would Be An Impossible Thing To Do In Any Case.

I Want To Make It Clear: It's Not That I Hate Mainstream Cinema. It's Perfectly Fine. There Are A Lot Of People Who Need To Escape, Because They Are In Very Difficult Situations, So They Have The Right To Escape From The World. But This Has Nothing To Do With An Art Form.

The Difficulty, Then, Is When You Create A Church, An Institution, And You Create A Dogma. When You Create An Ideology, That's The Danger. Communism, Too, Is A Beautiful Idea, But Millions Of People Died When Communism Became An Ideology.