In Real Life, You Just Work For

I Am Pure Performance, And Robert Wilson Is Pure Theater.

I'm Talking About Intellectually And Emotionally Challenging, But At The Same Time It's Actually Not That Challenging. So There's This Dichotomy.

My New Work Deals With Emptying My Body: 'boat Emptying, Stream Entering.' This Means That You Have To Empty The Body/boat To The Point Where You Can Really Be Connected With The Fields Of Energy Around You. I Think That Men And Women In Our Western Culture Are Completely Disconnected From That Energy, And In My New Work I Want To Make This Connection Possible.

I Had To Leave Some Traces. In The Beginning, I Would Give Complete Instructions To The Photographer. In The '70s, People Would Come To Photograph Your Work And You Would Just End Up With This Crazy Material That Had Nothing To Do With Your Work; Maybe I'd Pick Up Two Or Three Photographs That Were The Closest To The Idea. This Is Why When You Look At The '70s, You See Much Less Documentation And Really Bad Material. The Material Will Become Misleading To What The Piece Was.

Once You Live In New York, You Can't Live Anywhere Else. Living In Paris Is Like Going In Slow Motion. It's So Bourgeois. I Get So Bored.