In Fact, I Thought My Calling Was

I Really Feel Concerned About Young People Within Our Present Culture. Our Present Culture, We Have To Change. Change Is Inevitable And I Wasn't Raised In Our Present Culture But It Has Great Pressure That As A Young Person I Never Had. Material Pressure, Social Pressure, Visual Pressure, How You Look, And I Just Try To Appeal To Young People To Think For Themselves, To Be Their Own Person, And To Ask Questions And Also Be Very Attentive To Our Planet And Our Environment.

The Only Parts I Like Out Of Any Of Those Women Books Is The Dirty Parts. But I Don't Think Their Dirty Parts Are Any Good, Really.

In 1974, When I Started Working With The Material That Became Horses, A Lot Of Our Great Voices Had Died. We'd Lost Jimi Hendrix And Jim Morrison And Janis Joplin, And People Like Robert Kennedy, Martin Luther King And Malcolm X.

I Like Photographing Dresses In Windows. I Actually Wore A Lot Of Dresses In The '70s. I Like Them On Other People Now.

As An Artist, I Never Wanted To Be Fettered By Gender Nor Recognized Or Defined As A Female Poet, Musician Or Singer. They Don't Do That With Men - Nobody Says Picasso, The Male Artist. Curators Call Me Up And Say, "we Want Your Work To Be In A Show About Women Artists," And I'm Like, Why? For Christ's Sake, Do We Have To Attach A Gender Onto Everything?