In Discussing The Process With The Actors,

There's Nothing I've Done Which I'm Ashamed Of Or I Thought Was Actually Bad.

When I Do The Music, I Make The Musicians Listen To What's Happening In The Film. That Way They Treat The Dialogue As If It Was A Singer.

I Never Had Any Urge Or Desire To Do Like A Big Spectacular Movie With Thousands And Thousands Of Extras. I'd Rather Watch Paint Drying. But Put Me In A Room With Three People Having A Hard Time, Like A Character Situation, And Then You're Into A Really Intense Portraiture Kind Of Concept.

I Like To Work My Camera As If It Were A Musical Instrument.

I Would Certainly Say That Films Like Time Code And The Loss Of Sexual Innocence Were Far More Rewarding To Me In Terms Of Being Able To Move Forward As A Filmmaker.