In A Sense It Might Even Be

Not The Fruit Of Experience, But Experience Itself, Is The End.

Such Discussions Help Us Very Little To Enjoy What Has Been Well Done In Art Or Poetry, To Discriminate Between What Is More And What Is Less Excellent In Them, Or To Use Words Like Beauty, Excellence, Art, Poetry, With A More Precise Meaning Than They Would Otherwise Have.

A Sudden Light Transfigures A Trivial Thing, A Weather-vane, A Windmill, A Winnowing Flail, The Dust In The Barn Door; A Moment - And The Thing Has Vanished, Because It Was Pure Effect; But It Leaves A Relish Behind It, A Longing That The Accident May Happen Again.

A Counted Number Of Pulses Only Is Given To Us Of A Variegated, Dramatic Life. How May We See In Them All That Is To To Be Seen In Them By The Finest Senses?

That Sense Of A Life In Natural Objects, Which In Most Poetry Is But A Rhetorical Artifice, Was, Then, In Wordsworth The Assertion Of What Was For Him Almost Literal Fact.