I'm Basically Quite A Cheerful Person.

If You've Done A Brilliant Version It Becomes Something Else.

Everything Is Important, But There Is A Weight To These Big Or Expected Things And Then There Is The Logistics Of Them And It's Trying To Find, While You Worry About For Instance The Ballroom Scene, How Do You Get 500 People To Go To The Loo In Corsets And Don't Cost You An Hour And How Do You Remember While You're Organizing All That To Take A Breath And Say, 'well The Scene Is About All Of That And It's About Prince Hand On The Small Of Cinderella Back As Well' And We Need Time To Do That Properly As Well.

The Best Actors, I Think, Have A Childlike Quality. They Have A Sort Of An Ability To Lose Themselves. There's Still Some Silliness.

I Think That A Lot Of Exciting Elements Are Finding A Place Where A Film Is Happily, Truly About Something.

Two Billion People Watched The Royal Wedding. Clearly, They're Interested In That - The Outside Of What Appears To Be Lives That Have A Certain Amount Of Privilege. They Have Gifts, They Have History, They Have A Sort Of Unusual And Separate Position, Which Maybe Involves Paying A Price.