I Wish I Could Go Home. I've

You Can't See Any Movie Nowadays Really Without It Having Some Sort Of Cgi Treatment, Albeit Whether It's A Creature Or An Environment, Something Like That. To Make A Point, Sort Of Poetically In That Case, But Clearly It Was A Drama And How Do You Approach It? Well, I Think What You're Supposed To Do Is What The Text Dictates. What You Bring To It And Everything You Need To Know Should Be There, And Pay Attention To Your Director.

It's Nice To Know That If You've Worked Really Hard At Something, It Gets Recognised With A Tick In The Success Column - However You Define That, Be It Making A Bunch Of Dough, Which The Actors Never See Much Of, Or Whether It's A Piece That's Enlightening Or Stays With The Audience Maybe Six, Seven Or Even Eight Or 10 Years Later.

The Test Audience Holds A Great Deal Of Power In The Process Of Filmmaking In The United States.

I Haven't Been One Since I Did A Film Called (coughs) Encino Man (laughing). After Two Or Three Runs With Pauly Shore, I Had Enough. Watching This Film In 3d As Far As Rollercoasters Go Really Fills It For Me.

To Swing Or Not To Swing? Swing.