I Think The Darker Aspect Of My

It's No Secret That In My Books I'm Trying To Make The Comic And The Serious Rub Up Against Each Other Just As Closely And Uncomfortably As I Can.

To Expect Reason Is Where The Fallacy Lies.

Don't Even The Best And Most Fortunate Of Lives Hint At Other Possibilities, At A Different Kind Of Sweetness And, Yes, Bitterness Too? Isn't This Why We Can't Help Feeling Cheated, Even When We Know We Haven't Been?

When I Look Back Over My Novels What I Find Is That When I Think I'm Finished With A Theme, I'm Generally Not. And Usually Themes Will Recur From Novel To Novel In Odd, New Guises.

You Use Simple Brushstrokes In A Screenplay For Things Over Which You Would Take Much Greater Pains In A Novel.