I Think That If You're A Digital

I Prefer The Countryside To Cities. This Is Also True Of My Films: I Have Made More Films In Rural Societies, And Villages, Than In Towns.

Of The Hundreds Of Points To Enter And Exit That Are Offered To Me, I Have To Choose The One That I Feel Is The Least Wrong, The Least Fake. It Is Fake, It Is A Moment That I Choose To Erupt The Story, But I Make It As Smooth As I Can. What Enables Me To Do It Is The Skill Of Filmmaking.

It Seems That Film-makers Are Being Divided Between Those Working In Digital And Those Who Are Not. I Think It's Not Something Predetermined - It All Depends On What Project We Have In Mind, And On That Basis We Choose The Medium.

Close-up Is A Very Particular Film In My Oeuvre. It's A Film That Was Made In A Very Particular Way; Mainly Because I Didn't Really Have The Time To Think About How To Go About Making The Film.

I Never Intended To Write Poems, Nor To Be A Photographer, Nor To Be A Film-maker. I Just Took Many, Many Pictures And I Would Put Them In An Album, And Then Some Years Later I Decided To Show Them And Suddenly I Was Called A Photographer. Same Thing With My Poetry. They're Notes That I'd Written In A Book And It May Be Considered Poetry.