I Think It Took Me Half A

People Who Wrote Literary Novels About The Past Probably Didn't Want Them Pegged As Historical Fiction. Certainly That Was True In England.

To A Brit Of My Generation, One Of The Most Objectionable Things About [margaret] Thatcher Is Her Falsity. She Is A Total Construct. For One Thing, She Had A Made-over Accent.

[t]he Heart Is Like Any Other Organ, You Can Weigh It On A Scale.

You Can Have A Silence Full Of Words. A Lute Retains, In Its Bowl, The Notes It Has Played. The Viol, In Its Strings, Holds A Concord. A Shriveled Petal Can Hold Its Scent, A Prayer Can Rattle With Curses; An Empty House, When The Owners Have Gone Out, Can Still Be Loud With Ghosts.

When I Came To Write My Thomas Cromwell Books, I Moved Onto The Center Ground Of English History, But I Was Never There Before. I Didn't Feel It Was My History Particularly, Coming From Northern Britain, Being Of Irish Extraction, Being A Cradle Catholic. The Image Of England I Grew Up With Felt Somewhere Else. There Was An Official England In Postcards, But It Wasn't One I Had Visited. But I Decided To March Onto The Center Ground And Occupy It Whether It Was Mine Or Not.