I Suppose Subconsciously I Was Thinking In

I Worry About Being A Fogy And Just Writing For Orchestras. Like, Really, I Should Be Doing More Electronic Stuff, I Feel. Laptops As Part Of The Orchestra, And Installation Sound, And Speakers.

Composers Are Influenced By All The Important Music In Their Lives - And I Suppose That Since Radio Started Playing Popular Music, That's As Likely To Be The Beatles Or Aphex Twin As It Is To Be Verdi Or Ravel. They'd Be Strange Teenagers If They Didn't. But Cross-pollinating Happens Too - Aphex Twin Did More Interesting Things With Electronic Music Than Most Trained Composers, Who Seemed To Approach Samplers With Undue Caution And Reverence In Those Early Days.

I Trust Microphones, Speakers And Recordings Less And Less, And No Longer Buy Into The Idea That I Can Recreate At Home, Or In My Earphones, The Experience Of Hearing Live Acoustic Instruments. The Orchestra Is Already A Set Of Speakers That React Differently To Each Player, Each Room And Each Concert - It's That High Level Of Uncertainly And Unrepeatability That I Like. The Music Is Just Soaked Into The Walls Of A Room Straight From The Instruments - And It's A One-off Deal. The Alternative - Left Speaker, Right Speaker - Is Kind Of A Compromise.

My Style Is So Tightly Tied In With Our Songs That I Don't Think You Could Even Ask Me To Quit Radiohead And Play Guitar For Another Band. I Don't Think I Could Do It. It Would Probably Reveal Me To Be The Bluffer That I Believe I Am. That's How It Feels. I Wouldn't Have The Confidence To Do Anything But This.

I Sometimes Wish Taste Wasn't Ever An Issue, And The Sounds Of Instruments Or Synths Could Be Judged Solely On Their Colour And Timbre. Judged By What It Did To Your Ears, Rather Than What Its Historical Use Reminds You Of.